Essential Listening: Special Herbs, The Box Set – Volumes 0-9 – MF Doom (2012)

There’s been a cluster of celebrity deaths in the last week or so; Ozzy Osbourne, Hulk Hogan and Donald Trump’s political career (who said Jeffrey Epstein was all bad?). The death of Daniel Dumile, aka MF Doom, a few years ago, went largely unnoticed outside the heads, and is one, along with Ozzy, that deserved to be lamented (even the dwarves mourn Ozzy, what a character he was). I mention this because lately I’ve been on an MF Doom binge, and it occurred to me that while Dumile was a lyrical shaman, the beats to go with his rhymes also deserve more love than they tend to get. This is where Special Herbs Volumes 0-9 comes in.

It begs the question as to why sampling a song and refashioning it well is a vastly underrated skill. As a genre, hip-hop instrumentals (even J Dilla’s, or say those on De La Soul’s Three Feet High and Rising) are largely perceived as an afterthought. It’s somewhat logical that they’re seen this way, not for (mostly) being created using samples, but as a rap track that’s incomplete.

My gripe here is the inconsistency often applied to perceived forms of incompleteness. Even if they don’t appear on the final album version, some of the best versions of songs by the Beatles, the Stones and Van Morrison, to name but a few, are live, from bootlegs or of the songs during their infancy, and are not seen as inferior compared to the final album version. The partial intent of the final studio version on an album is to cloak improvisation and the creative process, akin to concealing the execution of the magic trick. Dumile’s rhymes and flow cannot be denied, but here it takes their removal to elevate the instrumental, so it’s understandable that measure would be viewed as counter-intuitive to appreciating something’s value.

Special Herbs biggest appeal for me is operating as a full-scale descent into musical nerdiness. It’s akin to train spotting, without the need to don an anorak. All the songs sampled by MF Grimm and chosen by Dumile, beats which form the backbones of his albums Mm…Food and Operation Doomsday, are bonafide funk and jazz classics from mostly sixties and seventies soul, and of course, lots of Sade. Some of these are obvious, say “Calamus Root” which is formed from “Black Cow” by Steely Dan. “All Spice” and “Saffron” are both Sade offerings – “Is It a Crime” and “Kiss of Life” respectively. Everyone has their favourite part or section of a song, and so many of the Special Herbs’ samples have a tendency to find the most satisfying part. Looping a portion near the end of “Kiss of Life” by Sade, after the sax and vocal clears out, ushering in the outro, with the cooing backing vocal taking prominence, is inspired.

“Benzoin Gum” can only have come from Isaac Hayes’ “Walk On By”. “Monosodium Glutamate” repeats a sped-up bridge section towards the end of “One Hundred Ways” by Quincy Jones giving it a cheeky exuberance, that belies the original ballad – thankfully this conversion slaps, which is the opposite of Christopher Nolan’s terrible Oppenheimer, which is a somehow irritatingly pedestrian portentous watch but with dialogue of a YouTube video playing at 1.5X speed. “Licorice” repurposes a section of “All I Ask” by the Blackbyrds while “Mandrake” utilizes fragments of “What a Fool Believes” by the Doobie Brothers to satisfying effect.

Others, such as “Hyssop”, threw me for a loop by sampling more than one song. A shard of “I Can’t Go For That” By Hall and Oates is easily recognised, while its more obscure partner “Dark Shadows Theme” by Robert Cobert Orchestra completely stumped me. Fortunately, Google exists, and this Spotify playlist extensively covers most of the tracks sampled. The beat for the sublime “Deep Fried Frenz” is titled “Myrrh” and was harvested from “No Stranger To Love” by Roy Ayers. Even if you can be made to feel a heathen for not being able to spot that one, as I was, the process as a whole is a brilliant way of discovering new stuff – “Na Boca do Sol” by Arthur Verocai was a nice wee find, and I was introduced to a multitude of Ronnie Laws’ stuff which is copiously sampled on Special Herbs.

Still, despite my advocacy and love of this gear, I succumb to momentary doubts. Is the creation of samples somewhat random and fortuitous? Is there a 99% failure rate? I pose this question as I had a go myself. You know when you get a vinyl, then curiosity or boredom arrives and in a fit of delusion you think, what the heck? Let’s pitch it down. Often, this provides calamitous outcomes, but occasionally it surprises. “Substance” by Bocca Juniors sounds better slightly slower, especially the vocal. Rarer still a change of speed can be enough to make a record, or a section of it, sound completely new. My inability to parse, or sample, anything worthwhile from the vinyl records I own leads me to believe that sampling is likely innate and requires a similar level of refinement or expertise as crafting songs from scratch. Whether sampled (or referenced) directly or indirectly, all art is derivative to a degree, but even so there will be snobs who’ll forget this and bristle at me putting that creative process on a par with Bob Dylan, Lenny Cohen, John and Paul and Mick and Keith.

A final suggestion. All of the instrumentals come fused together in three mixes (Special Herbs Volumes 0-9), or as individual tracks (in separate albums; 1-2, 3-4, 5-6, 7-8 and 9-0). I advocate getting both, but the latter form is a must. It allows you can curate your own favourite MF Doom instrumentals tracklist, many replete with those irresistible comic book interludes, in the order you desire. This is clearly not as hard as conjuring a kicking beat from a sample, but, given the quality of the source, it allows access to a rewarding creative process for us mere mortals.

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Song Of The Day – Low Tension (1991 version) by Soichi Terada & Manabu Nagayama

From the compilation album “La Ronde” (1991)

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Song Of The Day – Paranoid by Black Sabbath

Performed at Top Of The Pops in 1970

RIP Ozzy.

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The big difference between 2003 and 2025? The elite are no longer concealing their contempt for us

Allowing this blog to become too current affairs centric makes it more boring than it usually is, and depressing, for me and anyone who has the misfortune to happen upon it.

Still, certain topics reach such enormity that it’s cowardly to avoid them. I was working on posting something else (I’ve shelved it for next month) when Israel decided to “pre-emptively” attack some of Iran’s military installations and its nuclear enrichment facilities.

Amid this chaos those of a certain vintage will be reminded of the shambolic pre-amble that led up to the invasion of Iraq. The differences in the casualness of the discourse surrounding a mooted ground war between 2003 and 2025 are quite stark. This time there’s no 9/11 attacks looming in the rear-view mirror to help justify it, plus back then the threat of Islamic terrorism was somewhat new. Nobody knew how to deal with it.

The mainstream media largely avoiding critiquing why this Israeli attack was happening was jarring. We went straight to the ratified narratives and assumed processes – should other Western countries get involved? This was posited in a glib “let’s get the gang back together” manner. Then Iran’s retaliation became an “opportunity” to initiate a regime change. Given the West’s catastrophic track record of geopolitical invasions, coups and wars post WW2, that this was approached so matter-of-factly beggared belief.

My naivety, perhaps? Are the mainstream media now despondent at their waning influence? They mattered more in 2003, as useful idiots “45 minutes from attack” to help justify a decision that had already been made to invade. The deranged Tony Blair and your favourite centrist dad Alastair Campbell confected or embellished lies about WMDs and then Sadaam that were just plausible enough that most politicians could back them without feeling embarrassed. The purpose was to create the illusion of a consensus, at least politically, and to convey a conviction that this was a moral cause.

I’d argue that misguided foray helped embolden the headbanging lunatics that populate public life today. They and the right-wing political commentators and politicians are not even concealing their intent and have largely dispensed with elaborately contrived psyop alarms, myths or propaganda to convince us this is necessary – it’s a hard sell anyway, the threat that Iran’s attempting to make a nuke is hollow now that it’s in its fourth decade. The tone is also different – demented and dismissively condescending rather than seeking affirmation; “We’re in charge. What you plebs think is fucking irrelevant”.

Sadly, that’s true. This is a consequence of the widening stratification in society. There’s always been elites, but even in the digital age, they’ve never been as sequestered from public scrutiny as they are now; the rich and lobbying class, plus those politicians and client hacks who do their bidding. The key to embedding this neo-liberalist project was populating politics with feckless, timid middle-managerial types, who lack any nous, gumption or authority. Various hues of ineffectual neo-liberalism must be all that’s offered. Maintaining this requires the illusion of choice for the electorate, and any dissenting voices attempting to challenge this paradigm are demonised, ridiculed or ostracised, see Corbynism.

Another example is the destruction of Gaza, its overwhelming unpopularity among the UK public is completely irrelevant to what benefits those in power. The government is completely unwilling to change its position despite the death toll. Apparently, we, the public, are in the wrong on this, but they can’t, won’t, or don’t have to explain why. Selling arms to Israel and running spy flights from Cyprus? Totally fine. Protestors “attacking” an RAF base with paint? Kneecap shouting “Free Palestine” and Bob Vylan chanting “Death to the IDF” at Glastonbury? That’s beyond the pale, “hate speech” according to Keir Starmer, and subject to a crackdown.

That perverse juxtaposition of inverted morality partly explains why trust in politics has been completely eroded. We know the Labour cabinet is capable of deducing that what’s happening in Gaza is depraved, but have chosen to lie explicitly to place self-interest above public opinion and any moral imperative to do the right thing.

Social media makes it’s easier for them to bluff their way through contentious issues and spread mistruths, and most of the political class simply aren’t good enough to resist the temptation to weaponize it. Just look, we’re bound to become apathetic, or confounded, as we’re being saturated with their bullshit on every topic. Be it obscure culture war dross, immigration bogeyman fables, small boats, grooming gangs, demonising the most poor and vulnerable groups, Nigel fucking Farage, spending cuts for local services while we provide military hardware and assistance for Israel, exhausting debates surrounding government wastage, inefficiency and perpetual welfare and taxation reform that are designed to never solve the problem and misdirect us from the causes.

For politicians, Trumpian style denial and obfuscation, even bluster is the essence of political power in 2025, where it was sanctimony, earnestness, at times hubris in 2003. The bigger difference comes in messaging. Backing down, no matter how unpopular your position is or the dubious motivations for holding that position, is viewed as capitulation, and if it’s to truth, to popular opinion, to common sense, as a form of weakness.

That the sinister ban on foreign journalists in Gaza is accepted in 2025 is a scandal, and a huge shift from 2003. Most troublingly it is the clearest indication that this is what the those in power in the UK and other countries aligned with Israel consider to be the acceptable behaviour of an ally. They’ve learned the lessons from 2003. You don’t have to excuse what isn’t seen or conceded.

When you’re prepared to accept the killing of a group targeted as inferior, as vermin, as disposable in the name of colonialism, you’ve crossed a Rubicon. We hear constantly that Iran is a deplorable regime, fundamentalist Islam breeds terrorist groups such as Hamas, but what’s happening in Gaza is equally extreme and the malignant ideology motivating it is couched as “self-defence”. That’s a problem, and if you’ve allowed them to get away with this, what incentive does the Israeli government have to stop there? Is it possible that the inert, feeble attempts to end the destruction of Gaza, and the laughable response of calling for de-escalation with Iran, will only further embolden Netanyahu’s unhinged bloodthirst. What craven response to more bombing or mass killing comes next? And how many people will die as a result?

Neo-liberal uniformity has developed an apathetic individualism, weakened democratic processes and with a captured, insipidly diminished media, has allowed those who truly own and run the country to pursue an increasingly aggressive and authoritarian campaign, economically and culturally, against the masses. Where and what’s the recourse? That’s what’s so concerning, we’ve reached a collective agreed capitulation from all sides that anything goes, for them.

Maybe we’re so mediocre, so discombobulated, so cucked, that we’re getting close to War truly meaning Peace. Freedom is Slavery? Well, inequality keeps increasing, but I’ve nearly paid off my mortgage! Then I’ll be free, from…that. How about Ignorance is Strength? Where do we sign up, or have we already?

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Song Of The Day – Etape 2 by Kraftwerk

From the album “Tour De France Soundtracks” (2003)

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