After 28 years of hurt, a part of my soul is finally at peace.

So, Tuesday 18th November 2025. A Baltic night in Glasgow. Air so cold it was heavy. Freezing rain felt imminent, and, oh yeah, only the small matter of Scotland versus Denmark at Hampden with a guaranteed place at next summer’s World Cup on the line. I was not confident. We needed to win; they needed to avoid defeat. Falling at the last hurdle, in a manner that was omni-shambolic but simultaneously felt tragi-heroic, is Scotland’s specialty. I could picture it, as it was a movie I’d seen umpteen times, and was therefore braced for it – we take the lead, Denmark eventually assert their technical dominance, we defend doggedly, and then concede late in the cruelest way via a ghastly mistake or from a fluke deflected goal.

And we did take the lead. Scott fucking McTominay with an outrageous overhead kick. It’s easy to say in retrospect that the manner of the goal should’ve been a sign that this was going to be the start of something special. The goal did deliver one certainty – this match was going to be taxing for the nerves.

Articulate to a non-Scot that our proclivity for failure is surely mitochondrial deep and it will be met with rolled eyes or confusion. Our sense and belief that it’s innate, and that it transcends football, is entirely logical. Glorious failure is embedded throughout our history, shaping our national identity (including our national anthem) and, in its most damaging incarnation, inculcating a “woe betide us” psyche. The closest comparison is the pathos of England fans when their team is faced with the prospect of being involved in a penalty shootout. Even I’ve learned to empathise with their plight – except those who wear Sun hats or chainmail and sing about Agincourt when they’re playing Germany. Different circumstances and stakes, yes, but we share an understanding that the heart can only be broken so many times before pessimism inherently supersedes hope.

Within minutes pessimism had reasserted itself, defeating any urges to think positively and to preserve my sanity. Denmark began to dominate territory and possession. There was still seventy-five minutes to play. We’re Scotland, and there’s fucking no chance we’re holding onto this lead with Grant Hanley at centre back.

About twenty years or so ago, when Scottish football was truly at its nadir under Berti Vogts, I had firmly resigned myself to the possibility that Scotland would never qualify for a World Cup again.

The FIFA presidency seems to attract the greediest, most venal neo-liberal lizard people on planet Earth to the post. Joao Havelange, Sepp Blatter and now Gianni Infantino have never turned down a bribe or an opportunity to enrich themselves. Selling the rights to host the tournament to wealthier nations ran by despots and autocrats is despicable enough. But their greed is most apparent in the ludicrous expansion of the World Cup finals from twenty-four teams in 1994 to forty-eight in 2026. It has diluted its regal exclusivity and sense of importance and spectacle. Now it’s a bloated cash cow to be milked, with a slew of meaningless group games littered with mediocre sides (and yes, this includes Scotland). More games mean more money, via sponsorship and TV revenue, more obscenely priced tickets to gouge fans, and more games to bet on. It’s over a week later, and the euphoria has somewhat subsided, so let it be said that Scotland’s chances of qualifying have not improved with better player development or progressive tactics, but rather lamentably the insatiable avarice of the corporate, oligarchical, political and jet set class.

Depressing stuff, so was Denmark equalising, deservedly, not long after half time. And I was lamenting that we looked outclassed and completely incapable of fashioning a response. We were heading for the dreaded playoffs as things stood. Scotland in a playoff setting only appeals to the masochists.

With Scottish sporting endeavors there’s normally a but… Andy Murray aside, it’s almost always the negative kind. If there’s a way for us to fuck it up, we surely will. This fatalistic dread has been taught through repeated trauma, as we’ve witnessed the generational failures of the national football team at the group stages of finals tournaments. The greatest hits – stupidly scoring first against Brazil in 1982. Gary MacAllister’s penalty miss against England, who were playing nervously due to being under immense pressure, at Euro 1996. A preposterous sequence that saw us eliminated by losing to Peru and drawing against Iran only to beat the Dutch (which made the final) in a dead rubber in 1978. Only managing one goal and one point at Mexico 1986. Losing to Costa Rica at Italia 90.

You’ll note that these “disappointments” are from a bygone era. Never mind the seventies and eighties Scotland sides, featuring Denis Law, Billy Bremner, Graeme Souness, Alan Hansen and Kenny Dalglish. Expectations were raised by the France 1998 side of Colin Hendry, John Collins and Paul Lambert. In comparison to what we’ve had for most of the last quarter century even this period of late nineties Scottish football now seems like a golden age. Back then we were just good enough to be teased, as we usually qualified, then completely froze on the biggest stage.

Denmark had a man sent off on the hour. Here’s where we insert the clip of Al Pacino from the suitably catastrophic Godfather Part three: “Just when I thought I was out, they pull me back in”. It was still 1-1, and Denmark still looked as though they were playing with eleven for a good period after the red card. We looked anemic. Then, out of fuck all, Lawrence Shankland scored. 2-1. Hampden roared, my spirit soared.

My first experience of Hampden was the polar opposite of this unfurling carnage. It was a friendly against the Dutch in March of 1994 in a half-renovated Hampden. It was laughably sold as a new dawn for Scottish football. It was the first match of the demoralizing, destructive tenure of the utterly milquetoast Craig Brown and Hampden’s first match in a couple of years. The latter akin to the lukewarm welcome an aging actress receives after reappearing with a ghoulish facelift.

And this was a Dutch team low on star-power. No Koeman, no Gullit, no Van Basten and the gate was thirty-thousand, if that. A whole empty stand constituted of cinder blocks that appeared as black as a void under the floodlights didn’t help the atmosphere. Neither did Bryan Roy scoring the winner or Scotland playing a style of football they’d have considered anachronistic in 1911. The most entertaining thing was the Dutch away support. We were sat near their section. I was mesmerised by the garish tangerine garb and by their large marching drums resting snugly on their pot bellies. The drumming was so loud and perpetual I felt as though it gave me a concussion.

2-2, in what seemed like a flash. Now I felt tempted to give myself a concussion. The familiar agony had returned, and now, instead of agonizingly slowly, the clock was running down quickly. Too quickly.

When the ball arrived at Kieran Tierney, and I saw him shape his body up to shoot, I’ll admit I muttered loudly, with teeth gritted, “don’t you fucking dare son!” Get it to the wide man and get another cross in was the percentage play. That was the Scottish football fan in me, my Inland Empire (for all Disco Elysium players out there) foreboding that he would shank or sky it.

Tierney didn’t. Elation. Relief. Disbelief. Hampden went wild at this successful exorcism. I caved too and started to picture Buckfast, Kilts and Wee Jimmy Krankie hats on the streets of Hollywood instead fentanyl, wide leg jeans, Balenciaga trainers and Starbucks. Deep fried Mars Bars being consumed in a Chicago deli. The Saltire draped over the Washington Monument. A traffic cone placed on the Statue of Liberty’s heid. The Tartan Army is coming to America to kick ICE’s arse. What do you think about that Donald “Where’s yer troosers on Epstein’s island” Trump? What a time to be alive.

But wait, as another famous Yankee once said; “it aint over till it’s over”. There was still roughly five minutes of added time left to play. We weren’t there yet. Some cunt near where I live in Knightswood started setting off fireworks before the final whistle – tempting fate, or perhaps they had plugged into the ethereal realm and achieved clairvoyance of what was to come next.

Before what was to come next was four minutes of retching, sweating and palpations. I was locked in a pose somewhere in-between standing and sitting, hands on knees, the kind of posture you assume when you’re in serious discomfort trying to bake a wickedly sulphuric curry turd in your bowel. Then came Kenny McLean, Rutherglen’s finest son, to remove all doubt and avert all scatological pratfalls, and send us orgasmic, and Hampden stratospheric, with a legendary goal from the half way line. If Leo Messi had scored that one it would go down in football folklore. Kenny will just have to settle for his place in Scottish football folklore, no small feat.

Scotland will never win the World Cup or the European Championships, or perhaps even reach the knockout phase of either. We’ll probably get knocked out straight away next year in the US. But that’s fine. Because tonight, and for one night only Matthew, we felt like winners. I did the Reeves and Mortimer George Michael dance because we rolled away the stone of bravura failure, and most essentially purged a sense that we’re cursed and always destined to faceplant in the most exasperating way imaginable.

Against Denmark something truly magic happened, we elided fate, stuck two fingers up to the heavens and gave the cosmos that’s ambivalent to our suffering one hell of a beating. Hampden was rocked by catharsis at the final whistle. Later the wee man dressed as Batman bounced outside the ground. No matter what comes next, we can finally believe that our path is mutable, not destined. That soothes the soul. A part of mine is now at peace, as finally I bore witness to it become manifest. Man, sometimes life is truly worth it.

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Song Of The Day – Heard It All Before (DJ Crisps 2 Step Mix) by Sunshine Anderson

From the single “Heard It All Before (DJ Crisps 2 Step Mix)” (2020)

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Song Of The Day – Dream Machine by Phantom Band

From the album “Freedom Of Speech” (1981)

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Essential Listening: Brown Sugar – D’Angelo (1995)

Most folk only truly start to worry about their own mortality when people in their age cohort start to die.

And it may be that the first one doesn’t set off the dread and fatalistic thoughts. For the obstinate hedonists denial runs strong. But as middle age begins to encroach there’s eventually a death that will force you across that Rubicon. It doesn’t need to be someone famous either. I’d argue the effect is liable to be more potent if it’s someone that you know, you see often, you work with, especially if it’s a family member or friend. Clearly, I’ve been fortunate that nobody I know that’s my age has departed suddenly, yet.

I mention this as D’Angelo (real name Michael Eugene Archer) died earlier this month. He was only fifty-one. Only a few years older than me. That’s the first time I felt the sense of narcissistic unease at my advancing years and the increasing frailty that comes with it; will I still be around at fifty-one and in what physical state?

The initial surprise that a fifty-one-year-old man had died was eroded by the revelation that D’Angelo was gravely ill with cancer. While not a recluse, he was someone who was able to retain a reasonable level of privacy by not chasing the fatuous trappings and petty aspects of fame. We simply had no idea he was ill. When Charlie “The Machine” Sheen departs nobody will be surprised, and was anyone really shocked that Steve Irwin died by nature’s hand? The how, perhaps. That’s the enduring lesson with any death we find surprisingly sudden, particularly celebrity deaths, they may have reputations of hard living, chemical self-abuse, indulge in dangerous pursuits and pastimes, but these are often irrelevant to when. We’re all susceptible, at any minute.

Not to be greedy and continue with the self-centred theme, but it makes you wonder if we were deprived of another D’Angelo album. David Bowie at least got Blackstar finished before he succumbed. The doubt here is that D’Angelo wasn’t prolific. He only released three studio albums spanning twenty years. Bob Dylan, The Stones and The Beatles released one, sometimes two, a year in their pomp. Sustaining such abundance can be viewed as a positive or a negative. The common negative often being once great bands or musicians sullying their legacies with dross albums having run out of ideas. D’Angelo belongs in the former category, his discernment means there’s no filler in the catalogue. Listening to all three of his brilliant albums repeatedly over the last couple of weeks, Brown Sugar, his first, is not only my favourite, but I also firmly believe his best. Black Messiah, his final album, will appeal to some thanks to a funkier orientation. Voodoo will certainly be the one he’s renowned for and synonymous with – it was platinum several times over, a number one record in the US and made his name ubiquitous in the mainstream.

Brown Sugar has two distinct advantages over his other two albums, time and context. It was recorded in 1995. This was a glorious time for music generally but it’s close to an inflection point. We were reaching the end of a golden era of music which ran from the mid-sixties to the millennium, so there’s a tendency for me and people of my generation to excessively venerate the end of this period. What’s beyond dispute is Rap and R&B were king and in their heyday in the nineties. It was before all that fucking autotune and Atlanta trap dross converged, became vogue and ruined the genre. Back in the day you had Tupac and Biggie beefing. You didn’t have to hide that fact that you owned records that had writing or production credits belonging to Sean Combs and R Kelly. West Coast Rap was put on the map with G-Funk and Death Row Records. East Coast Rap was in its pomp too (be it Wu Tang, Mobb Deep and Gangstarr or progressive rap acts De La Soul, Brand Nubian and Tribe Called Quest). Early OutKast remains the best OutKast, and quality R&B acts were plentiful and hits as frequent as during the Motown era. And who didn’t love Blackstreet, Erykah Badu, TLC, Missy Elliott et al?

Brown Sugar induces febrile nostalgia because it’s sonic aesthetic is wholly nineties and sits comfortably in the zeitgeist of that era. It unashamedly taps into New-jack swing on “Smooth” and “Jonz In My Bones”, but most of the album’s influences are rooted in the soul and singers of the seventies and sixties. The organ on “Higher” is very Al Green gospel inspired and of course there’s a rather nice cover of Smokey Robinson’s “Cruising”.

The track which is also the album’s title is no Rolling Stones cover, but is as an ode to his partner Angie Stone, who also died too young and compositionally the bass and drums is reminiscent of “Sweet Sticky Thing” by Ohio Players. The more bass prominent “Alright” wouldn’t be out of place on Prince’s The Gold Experience and the brass on “When We Get By” is very the Sign o’ The Times. The vocal delivery on “Higher” is also very Prince Rogers Nelson. I say lifting from the best is a sign of great taste.

I advise you get the deluxe edition. Even though Brown Sugar was only reissued in 2017 it surely will be again soon with D’Angelo’s death. The extra tracks on the 2017 deluxe reissue are all sublime and will surely make the cut on the next reissue. The acapella of “Me And Those Dreamin’ Eyes Of Mine” emphasises the distinctiveness of D’Angelo’s delivery – a combination of Donny Hathaway’s warmth but also silky potency on the high end, evoking Marvin Gaye, both here and on “Lady”.

D’Angelo was unlucky to go at fifty-one, but he does leave behind Brown Sugar as part of an impeccable musical Hors d’oeuvre, and, as a musician, that makes him one of the fortunate. Will I be fortunate to leave behind something truly worthwhile? Probably not. Most of us don’t beyond our children, but at the very least I intend to leave behind a vinyl of this album to someone, even if it’s to some random in a charity shop. Thanks to D’Angelo I can pretend that’s altruistic. Salut.

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Song Of The Day – Money For Nothing by Dire Straits

From the album “Brothers In Arms” (1985)

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