Essential Listening: Voices Of Freedom – Bob Dylan, Ron Wood & Keith Richards (1985)

I’ve been meaning to focus on this one for a while. It’s been prompted by reading the illustrated edition of Robert Shelton’s Bob Dylan – No Direction Home, which I got from my aunt at Christmas. You can buy it for £30. If I didn’t already have a copy, I’d happily pay double for it.

The older I get the more I seek out bootlegs of rehearsals. Why? There’s nothing better than a live performance done right, especially accompanied by exuberant audience feedback. Its strips the sanitization out of a studio recording and it reveals the worth of the artist. Can you elevate the song without relying on multiple takes and editing (the are you a serious musician test, basically)? For this reason, many of my favourite versions of songs are live versions. A few random selections: Slippery People by Talking Heads (from the Stop Making Sense live album). In Every Dream Home A Heartache live in Glasgow 1988 by Bryan Ferry, Michael Hedges’ cover of the Fine Young Cannibals “She Drives Me Crazy” at Philips Uni in 1989, The Stones performing Sympathy For The Devil at the Rock ‘n’ Roll Circus 1968, Judas Priest covering Fleetwood Mac’s “The Green Manalishi” from Unleashed In The East – Tokyo 1979. Even David Essex’s live version of Rock On (from what I assume is The Grey Whistle Test) is the best.

Albums of concerts are common as muck and far easier to track down than bootlegs or soundboards of rehearsals. Which is a shame as some of the best live performances are reserved for rehearsals not intended for public consumption. It makes sense, there’s no pressure to perform or audience expectation to cater to, so there’s a looseness that lends itself to experimentation. Numerous takes and fragments of songs on occasion offer a window into the embryonic process of how a song could be constructed or refined. The recent Beatles documentary capturing Macca conjuring the melody to Get Back in real time being a fantastic example.

Where Voices Of Freedom sets itself apart from other bootlegs (caveat here – that’s I’ve discovered, it’s a big world out there), is that it weaves Bob Dylan and Keith Richards’ philosophical approach to writing while they’re practicing. It lets you under the hood. Normally, this is piecemeal process, you need to sift through a ghastly journalese interview for quotes on their process and a bootleg or deluxe reissue to ratify that. No better example of this happens during the “Blowin in the Wind” take which is eight minutes long. Keith muses “that after you’ve been playing your songs for so long you start to re-write them” to which Bob, immediately, knowingly emphatically agrees. A true moment of kindship that only two songwriting veterans who know the game could have. It’s also a beautiful take of the song with some gorgeous guitar embellishments, dare I say improvements, by Keith, followed up with them discussing optimal composition for a few minutes on the next track. Then Bob strums a chord sequence interspersed by Ron and Keith talking random bollocks. That doesn’t sound brilliant, but trust me, it is, because the session is uncut it places you right there. Almost as brilliant is the guitar improv all three bring to “Dark Eyes”.

It’s also amusing and full of gossip, if that’s your thing. Highlights include Richards’ slapping down Mick Taylor for being disorganized and a slow writer after Bob praises “Leather Jacket” from Taylor’s 1979 debut album (the song being a shot at Mick Jagger’s celebrity lifestyle, so even during their falling out Keith was always loyal to Jagger). Ron and Keith adlibbing a cynical song about Careless Ethiopians wasting cash – they’d get cancelled into oblivion and accused of being racist these days. I also chuckled at Ron Wood ordering booze and fags by the barrel load as he coughs up a lump of coal. Him and Keith really do live up to the hard living billing.

It’s amazing the Voices of Freedom collab even happened at all. Dylan had not long emerged from his born-again rabbit hole (let’s not knock the musical output of this phase, it was worthwhile). Mick and Keith were somewhat publicly feuding through the media, “Mick was unbearable” during the early eighties according to Keith, and they certainly were not working together at the time. Had they been, surely the Stones would’ve performed in either London or Philadelphia as a group and Bob might’ve had to draft in some other less interesting musicians to rehearse with.

Indeed, the least interesting part of the Voices Of Freedom release is the recordings of the live gig, it’s standard fare. But even here we get reminded of a fascinating historical nugget – Bob Dylan made a faux pas, suggesting that the US farmers should get a subsidy from the Live Aid proceeds, and was heavily criticized for this at the time.

I’ll stop with the music history geekery here, suffice to say this one offers us a rare insight into some of the best and most influential musicians of our age. We, sorry, I, need more of this of-the-cuff stuff, warts and all, than sanitized documentaries with excerpts of perfectly curated studio sessions that may or may not appear on an album reissue.

Voices Of Freedom, sadly, is the exception. Thanks to the era of cancel culture coalescing with the ubiquitousness of cameras, the one sanctuary in which show business could actually allow its stars to drop their guard, as Bob, Keith and Ron do here, has gone for good. The threat of being hounded in person and online for not being morally and politically perfect isn’t worth granting such intimate access. Instead of freedom of expression these days it’s self-censorship. But, thanks to Soulseek and a few other places, Voices Of Freedom and the like are there to remind us to judge the art and not the artist.

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Song Of The Day – Groove Therapy (Photek Remix) by Universal

From the EP “Peril Point/Groove Therapy (remix)/Mind Games” (1998)

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Song Of The Day – Reasons To Be Cheerful, Part 3 (12″ version) by Ian Dury & The Blockheads

From the compliation/reissue album “Do It Yourself” (2008)

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Are you one of those wankers who hates the Profit & Sustainability Rules? Don’t worry, they’re probably not here to stay

Anal warts, finding out your mate’s a Tory cunt, MacOS, Tracey Emin talking about her own work, 24 hour news channels, Winter, James O’Brien and James O’Brien being condescending, any Disney movie since 1997, Bono on politics, listening to Israeli government spokespeople, Russell Brand’s facial hair, Clyde 1 FM, remembering that Richard Keys exists, Jordan Peterson’s voice, the second season of True Detective, just some of the things that are as appealing as the prospect of discussing how amortization works in professional football.

Instead, let’s punch down on some whiners. Specifically, all those weasels moaning about European leagues and UEFA implementing rules to prevent clubs living well beyond their means or cooking the books to outright cheat, and handing out punishments if they do.

Football fandom in 2024 is quite peculiar and doesn’t help the cause of the Profit and Sustainability Rules. For a growing number of sad cunts, and provided you have an Abramovich type backer, the prospect of your club spending loadsamoney and winning transfer windows provides emphatic bragging rights, even one-upmanship with rival fans on social media when your club wins the race to sign a player that football results often cannot. Compare this experience to supporting your team playing actual games. There’s a genuine downside, at times it can be a grind of disappointing performances and results, your side can lose or drop points, sometimes in agonizing ways, or, God forbid, fail to win silverware.

Much as I despise it, the Stockholm Syndrome towards nefarious investment in football has been built on tangible terrain – the commercialization and commodification of following football over the last thirty-five years. Fans have been bombarded with vacuous branding and hyperbole that large sums of money being spent and huge inflation in the game is itself entertainment and good for the sport, “best this, biggest that, most expensive yet”. Football is escapism and because that is monetizable the sport has been subject to increasing forms of speculation.

Now that most top European clubs are suckling on a roulette wheel of sovereign wealth funds, American hedge funds and billionaires, because these ill-gotten gains “helped” their club compete with the game’s crazed inflation in the era of non-regulation, turning around that oil tanker to head for a land of (relative) austerity now seems unpalatable, and boring. It’s the worst of both worlds – rich foreigners owning your club but unable to furnish your club with their funding. Additionally, it makes total sense to be confounded and hostile at this volte-face from those running the game towards financial doping.

High financing in football is also essential to others whose careers rely on the sport’s transfer industry. Just take this January transfer window, the PSR rules have created inertia. That transfer gimp on Sky Sports News wears a forlorn expression akin to a hostage reading out a list of demands when discussing loan deals for obscure Turkish league players. Agents aren’t getting commissions. It’s a real time collapse akin to Stanislav Govorukhin’s expose of the final days of the Soviet Union’s immense dysfunction. Everything is broken. We Can’t Live Like This.

Some will defensively retort that it’s the same shit, just global now instead of local, and those who endorse PSR are covert xenophobes pining for a return of the game’s bygone age. Thirty years ago, there was certainly less scorn for the philanthropy of Jack Walker funding Blackburn Rovers to the title, or, on the destitution end of the spectrum, Peter Risdale recklessly spending money that wasn’t his and ultimately sending Leeds United into a decade plus long tailspin. Occam’s razor applies here – their intentions, as supporters of these clubs, weren’t in question.

PSR is a referendum on the nature of self-interest, and that’s why I believe its measures will gradually succumb to a bureaucratic neutering. Football is tribal, not altruistic. More importantly, Manchester City being owned by Abu Dhabi, and before that Chelsea by Roman Abramovich, has conclusively proven winning the sportswashing lottery is a far better guarantee of success than improving on merit. Even better, the former isn’t as morally dubious or corrosive as benefitting from a housing price bubble or suppressing the wages of nurses and junior doctors, never mind anything genuinely despicable, say Rwandan deportations and scallywags terrorizing mobility scooter users.

A juxtaposition between two clubs who have been charged with PSR breaches – Manchester City and Everton – is why I’m so cynical. Manchester City have yet to be punished despite their charges relating to as late as 2018, having benefitted from endless bankrolling for well over a decade by one of the worst regimes in the world and being able to afford lawyers who can obfuscate effectively. They continue to rack up the trophies while under suspicion and investigation. If they’re able to evade punishment that in itself would expose the PSR laws as a sham, and confirm that money is the rule of law. Anyone confident this won’t be the case?

Everton, having failed to be compliant in consecutive seasons, already have a ten-point deduction and could face another points deduction, which could surely relegate the club into financial destitution. They got themselves into this mess spending on the promise of increased revenue not realised and are now existing on punitive lines of credit from potential buyers. With no punishment for Manchester City (yet), Everton fans feel they’ve been singled out for mis-management, a much lesser crime than City’s (alleged) impropriety.

Fans of Bury, Derby County, Reading, Birmingham City and Portsmouth would surely side with Everton’s gripes about their punishment in this context. But they understand that had these rules been in place sooner what happened to them wouldn’t be happening to Everton now. Just as people only become militantly politicized when they’re made skint through no fault of their own, it’s also a shame that too many football fans won’t become amenable to PSR unless their club becomes a husk.

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Song Of The Day – Love On A Real Train by Tangerine Dream

From the album “Dream Sequence” (1985)

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