Just fucking accept it, son. Sifu is the closest you’ll ever get to feeling like Bruce Lee.

Now and again, I listen to Sam Harris’s podcasts. There are some observations to be made here. He has a relaxing voice made for advertising kitchens, garden furniture and your standard four door family hatchbacks. Often it strays into a show of intellectual vanity, especially with the geopolitical and psychoanalytical topics failing to accord with the pressing interests of most – to generalise, cost of living and paying your mortgage. Harris, to his credit, is always stoic and logical (even when acknowledging his visceral hatred of Trump), mix this with some odder episode topics and or interesting guests and true nuggets of wisdom can occur.

Recently the topic covered was the fantasy versus reality of self-defence that prevails in the culture, specifically the disparity between what learning a martial art is truly good for and how we imagine it should be utilised. While there’s an inherent appeal to being viewed as tough or feared (it’s a dog-eat-dog world after all), most of us never get into any sort of physical confrontation as an adult. Folk simply don’t want the hassle and normally fisticuffs are poorly choreographed, unglamourous affairs (see Irish gypsy fights). No matter how skilled you are, most swings miss. Fights are often fuelled by intoxication accompanied by some insurmountable complex or unfulfilled sexual impulse. For instance, Sigmond Freud believed all hooligans to be latent homosexuals. He likely said that in jest, but you get the point, unless cornered, no matter if you know you can “really handle yourself”, embracing risk to sort out some uppity, gobby wanker just isn’t worth it, no matter how much you feel they have it coming to them.

Because we’re no longer hunter gathers, evolution has forced most of us to fight against automation by being gathers of excel data, we’re liable to feel inadequate when faced with rare displays of physical prominence and dominance. Here I’ll paraphrase Helen Joyce from her excellent book Trans, who gets to the crux of this social insecurity succinctly:

Someone who rarely engages with nature or exerts themselves physically will be predisposed towards body denialism. And if you spend a lot of time gaming or watching movies you will have become accustomed to identifying with avatars.

So, how do we square that circle, when we’re bombarded with aspirational imagery of badass violent characters, yeah, even Steven Seagal, karate chopping their way through criminal underworlds, but have no opportunities in the real world to realise anything remotely like it. Aggression is mostly sublimated along mundane constraints, say sizing up your neighbours or random passers-by and thinking “I could take them”.

Which brings us to the awesome brawler game Sifu, which was released on PC in late March. It puts you in control of an expert Kung-Fu kid hell bent on revenge. Just as the Wu-Tang said they trained under the coolest martial arts figure ever, Bruce Lee, because the idea is as satisfying as the lyric, execute a successful leg sweep move in Sifu for the first time, replete with a close up fight porn cinematic, of a relentless rapid series of punches on your prone opponent, and even your soy-milk drinking Kumbaya chanting pacifist will get a euphoric tingle from it.

Sifu’s developers understand the appeal, because they’ve lifted from the coolest influences in gaming and popular culture; Bruce Lee, John Wick and in the case of gaming, Sekiro.

Applying the delicacy of Sekiro’s sword combat mechanics to hand-to-hand combat, where each movement is satisfyingly tactile, is an especially inspired choice. Just as any martial art is about patience and skill learned through failure and repetition, learning to time your parries, blocks, attacks and evasive manoeuvres, and unlocking skill moves, in perfect concert, is a necessity for success and makes it all the sweeter on achievement. And, as with Sekiro, defeating your opponent by breaking their posture bar before their health bar is a faithful barometer of your improvement.

The resurrection idea also comes from Sekiro, but the age counter on death is a delicious twist. Each death increases the death counter by one so each subsequent death ages you faster. Reach the end of level two as an old fogey (though I enjoyed my avatar having a luxurious waist length pleat and fuck-off Gandalf length beard), and you have less chance of succeeding in the next level as your age carries over to the start of the next level. Once you die beyond seventy, your death is permanent. This dynamic forces you to replay levels, in what is a short campaign, to seek refinement, even perfectionism. I didn’t move on to level three until I got through level two aged twenty-two (you start the game at twenty). Who wouldn’t want to beat any game without dying and or looking young and shredded as Bruce Lee in Enter The Dragon?

There are other influences in the combat that increase its allure and addictiveness. The generic thugs crowd you to recreate Yakuza 0’s morish gang fights and the use of weapons and pacing, which switches from lulls to freneticism, is all very vintage Streets Of Rage, and better for it.

Boss fights are a steep learning curve. However, between the three difficulty levels (let it be said that hardest setting, appropriately named “Master”, is fucking hard) and level shortcuts, Sifu is more forgiving than a FromSoftware offering. The third level boss was a proper piss-boiler. It took me multiple tries to beat her, and this process would have been extremely aggravating if I had to complete the whole level (which takes roughly twenty minutes each time) for each opportunity as there are no save points. The level shortcuts (or passageways) which you unlock upon completion of defeating a mini-boss meant I could have seven or eight attempts an hour at the pretentious Tracey Emin knockoff blade wielding wench instead of two.

Thankfully there isn’t an online mode, yet. Losing to an algorithm I can take, but the thought of losing a virtual fight to some morbidly obese fascist potential spree killing teenager in an Alabama trailer-park, demolishing me one handed while he masturbates to anime porn, would be too much of an ego blow. I acknowledge that said neurosis says plenty about my insecurity as a non Fight-Club member, and none of it good.

But I know that’s a consequence of the world we’re living in today. Pride seems far more elusive with phony battles being fought in virtual spaces between strangers (mostly) with bodies that are disgusting or unskilled. So many are happy to settle for training their fingers to control a character rather than their limbs to achieve a level of physical self-assurance. Credit to Sifu, its combat was engrossing enough to appeal to the slobs and in the moment make me forget how physically feeble modernity has made us.

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Song Of The Day – Seventy Two Nations by Ras Michael & The Sons Of Negus

From the album ‘Dadawah – Peace & Love’ (1974)

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Song Of The Day – Funkorama (LP version) by Redman

From the single ‘Funkorama’ (1996)

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Essential Listening: Best of the NTS Guide To…

It’s a contradiction of sorts, streaming albums (once, again, thank you Bandcamp) in their entirety feels very old-fashioned. The rationale is a cleaving to analogue snobbery – lifting just one or two songs from an album feels cheap, egregiously so if you’re just dumping them into your digital music library unordered, which I used to do abundantly in my less enlightened years. You’re not serious about music if you consume this way.

Due to my refusal to delete anything, I have a large music library full of duplicates and errant tracks which I’ll never willingly listen to again. Now that I only listen to albums and themed playlists (I have over three hundred of these), I’ve become Yasser Arafat in a way – I’ve buried too many bodies in the desert over the last twenty years and forgotten who’s there. Having some guilty pleasures, eighties Fleetwood Mac, say, in amongst hundreds of thousands of songs is acceptable. Other pratfalls can be reasonably blamed on teenage hormonal dysfunction destabilising my brain. Take rave techno from such luminaries as DJ Fuckface for instance, imbued with a piercing monkey-sound riff, no less, it’s so terrible you have to laugh at this past iteration of yourself.

What I find nightmarish is not having bad songs, I know they’re there, but the shock that someone else somehow finds out what terrors I’d forgotten about. Getting caught owning the immeasurable vapidity of Razorlight, Kula Shaker, Hard-Fi, Keane or that fucking song by Toploader would be an episode so humiliating that it would challenge my belief that I don’t have the constitution for suicide. Having any of Moby’s brazenly cynical mid-nineties advertising campaign friendly cultural appropriations should rightly see you ostracized. As should anything by Justin Bieber or Deadmau5, oh, and that cunt who wears a marshmallow helmet, or is that twat and Deadmau5 the same person? There’s that song by Deacon Blue with the cringe chorus that mum and dad used to have on rotation when I was a kid. The only way I’ll purge it from memory is through a serious head injury, Alzheimer’s, or, well, death. Or, leaving the worst to the last, any song by Coldplay. Y’know, stuff that’s so hideously earnest and offensively bland that I’d happily live with increases in deforestation, child poverty, Dylan Mulvaney memes and global warming if it means never hearing any of it again. Not even Limmy’s rationally hatred filled forensic dissection of James Corden’s butcher job of Sinead O’Connor’s “Nothing Compares 2 U” (in dedication to Prince, a better tribute would’ve been smearing dogshit on his headstone) assisted by Coldplay is sufficient justification for it existing.

Any measure that can further bury said forms of shame or deflect suspicion as to your ownership is to be celebrated. To wit, curating playlists with a defined theme or genre takes meticulousness and knowledge. It’s a discerning labour and connotes taste. Think of John Cusack’s character in High Fidelity when he alphabetically orders his vinyl collection and his wee mate happens to stop by and give him a hand. That’s the right way, but a romanticized one. We live in age of bombardment by so many mediums, throw in the imposition of work and family commitments, and many of us would feel guilty for using the sheer amount of time to be that anal about almost anything.

We could all do with help diversifying. The NTS Guide to series does the legwork for you by focusing on the hyper-specific, where other worthwhile musical wormholes, whether it be YouTube, podcasts, mixes, even other NTS shows, do not to this degree. Still curious of what specific musical enclaves in other countries or niche genres have to offer? Only got two tracks (or let’s be real here, none) in that Korean rap playlist, you’ll have dozens after you listen to an episode focusing on that very genre. Afterwards, nobody will ever happen upon your music library, look at your esoteric playlists, and assume that a search for “Uptown Girl” by Billy Joel will return a result. Maybe you’ll even reach the point where you don’t suspect yourself of owning it.

Fittingly, in this digital age, there are so many of episodes of these NTS guides and not enough waking hours that I haven’t listened to them all (I only started last week). So I’ve selected five that have really stood out so far. Much love to NTS and those responsible for collating them.

Dust To Dust: The NTS Guide To Ambient Americana

Ry Cooder and Bruce Kaplan were obvious choices to start given the brief, but the rest of two hours allows you to drift into thoughts of driving through the desert at dusk in a convertible to the next stop on your dive-bar crawl, as the Peyote begins to take effect, with soothing bucolic lap steel, string and synth arrangements acting as the perfect tone for the experience. Just no hallucination of bats please.

Le Guth Amháin – Unaccompanied Singing From The Irish Tradition

The Dubliners Ronnie Drew’s brilliant spoken word version of The Dunes offers proof that the best folk music comes from great hardship and the raw honesty of the spoken word. A hour long episode of this stuff simply isn’t enough. Giving a speech in public is a terrifying prospect to me, but just being up there and doing spoken word is akin, in performing terms, to doing The Full Monty.

Post Punk In Dub

The abrasive audacity of punk is a virtue, and encourages a cutting through of the fucking bullshit and getting down to what’s necessary, adding Jamaican dub when you can. I only mention this as I was listening to this episode when reading a communication issued by work encouraging us to needlessly use pronouns in our email signatures. I was flirting with the punk approach to this, adding some spice, identifying as a stunted (mostly) hairless Wookie. But this isn’t practical or focused like adding dub baselines, and is only likely to see you ostracized as a fucking nutjob. We live in a time where we have more freedoms to express individuality or contrarian views in some ways and less in others. Punk and post-punk existed in a time where a sense of humour and self-deprecation encouraged solidarity through difference. This millennia does not. What a pity. Better to keep quiet and figuratively roll your eyes and reminisce about another time than dare step out of line in this.

Smooth G-Funk Volume 1

Given the output of Snoop, Pac, Too Short or anything released by Death Row Records, you’re half way to a decent selection. Everybody has “Regulate” by Warren G and Nate Dogg, right? There is a negative on this one, you may need to do some digging as there’s no playlist. But Shazam held up well here. Thankfully, if you do get stuck persistent Googling has all the answers. In a moment of impatience while searching I did think “fuck the economic consequences to the working people, increases in automation can’t came quickly enough”. Quite frankly, these are treacherous thoughts for a Union member and Champagne Socialist and far more shameful and damaging than listening to crap music.

Wackies 1977-1986

Some of the best music ever, full stop. This one also gave me a wee boost to my aficionado status when I realised I already had most of these. No “Mango Walk” was a surprise, and should definitely be sought out.

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Song Of The Day – You’re History by Shakespear’s Sister

From the album “Sacred Heart” (1989)

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